The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

布鲁克林最大公立高中的五名学生为了成功、生存、挣脱枷锁并抓住未来而奋斗。与此同时，他们还要应对一个混乱的世界。

青姿学园高中生叶麟，虽自称孤狼，却仍难免遭受三个女同学—自幼的宿敌“小霸王”任小芹、 严厉美貌的班长舒莎、 转学过来的女子偶像团体成员艾蜜儿的“欺负”的日常。与此同时，充满了友情的校园生活中，叶麟为达成已去世的哥哥成立校园舞狮社的遗愿，带领众同学，也展开了一段欢乐、曲折又不乏奋进的故事。

《乘龙怪婿4》延续前3部紧扣时事、借古讽今的风格，人物命运发生的戏剧性变化是该武德训因一文钱的失误而下台，沦为一心奋发的打工族；贾发为缴银两保公爵称号而四处找钱；尚下九当上了镇官却志大才疏；贾夫人无意中得到深厚内功四处发威……一系列喜剧反差也随着人物命运的变化而产生：武德训平民身份和官腔的反差、尚下九贵为镇官与小市民习气的反差、万金尤富婆身份与长舌妇本质的反差等等。而貂蝉的新对手，东北青年冬豪冲也将登场，进入客栈当伙计，与美女老板貂蝉展开一段迂回而浪漫的爱情。

新线恐怖片[孩子们]更名为[哭泣的女人的诅咒](The Curse of La Llorona，暂译)，温子仁担任制片，其公司Atomic Monsters担任制作。导演迈克尔·查维斯，主演琳达·卡德里尼。墨西哥传说中有一个“哭泣的女人”的故事， 一个丢了自己孩子的女人开始掠夺其它人家的孩子。片中的单身母亲在调查儿童失踪案时发现这个“哭泣的女人”似乎就在她的身边。

故事发生在隋朝末年，美女柳絮（俞飞鸿 饰）因行刺隋炀帝（周野芒 饰）未遂，被强令下嫁乞丐二蛋（吴孟达 饰）以示惩罚，次年生下古灵精怪的儿子蛋蛋（叮当 饰）。蛋蛋生于乱世之秋，当时群雄逐鹿、天下大乱，二蛋领着儿子开始了四处漂泊的流亡生活。秦琼（卲峰 饰）与柳絮同出一个师门，情同兄妹，但有缘无份，裴元庆（吴京 饰）少年英雄，曾与柳絮欲结百年之好，不幸英年早亡。为救瓦岗众兄弟于水火，柳絮又忍辱嫁给奸雄王世充（秦焰 饰）。逐渐长大的蛋蛋随父亲多年寻母无果，爷俩只好行乞为生，幸遇师傅刘风（齐景斌 饰）教点杂耍手艺，从此行走江湖，后遇药王孙思邈（刘长生 饰）相赠仙丹，但蛋蛋最挂牵的仍是多年未见的母亲......

讲述了一个人称“鬼马人精”的贫困山区县委书记以“乌纱帽”作抵押，“敢为天下先”，超常规改变地方贫穷落后处境的故事，生动地诠释了邓小平“发展才是硬道理”的理论。

《惠灵顿灵异档案》系列最终季

该剧讲述了当朝皇帝为找回岭南王写的回忆录而炮制一个假案，因此丢失六件镇国宝物，遂下令追究侍卫首领的责任。“御狗”贾牙误以为皇帝要杀他，于是深夜潜逃回家，带着妻小隐姓埋名东躲西藏十几年的故事。

讲述的是世界变成冰冻的荒芜之地过后七年，幸存的人类居住在一列永恒运转的巨型列车上，列车有1001个车厢，并区分为各个等级。有钱的精英阶层占据前头，穷人则窝居尾部，毕生遭到压迫的人们决定挺身反抗。　　在第一季结束时，雷顿(迪格斯饰)成为了列车的领导者，但他发现威尔福德还活着并且驶上了另一辆列车，梅兰妮冒着危险出门阻止威尔福德入侵雪国列车，一场全新的权力斗争即将浮出水面。

《非常24小时》讲述的是除夕之夜，某市嘉年华晚会热闹非凡。陶李和孟梦两个网络少年偶然破解了密码程序进入卫星授时系统，使零点迎新焰火莫名其妙提前了三分钟！随之造成电网配电系统波动、大面积停电，供燃中心的毒气泄漏也在危及着居民安全，民航导航系统混乱，旅客随时都有生命危险，网络少年又神秘失踪，核电站传来预警险情……就在这紧急关头，核电站机密文件失窃，引起丁院士心脏病发！他忽然想起，只有前女婿孟少杰(市突发事件应急处理中心副主任、排险专家)接触过自己的电脑，出于强烈的责任感，他将怀疑向国家突发事件应急中心负责人王常泰紧急作了报告。EMC网络组长夏末受命监视男友孟少杰，其内心极感矛盾，更使孟少杰痛苦万分，压力空前却有口难辩。偏巧这时，女儿孟梦失踪，前妻丁琳又突然回国，顿使已经分身乏术的孟少杰陷入内外交困境地……　　非常24小时是一部科幻险情剧，剧中虚构一个中国EMC机构，也就是“突发事件应急处理中心”，它充分应用当代高新技术组建各类现代系统去构造安全减灾及应急体系。胡兵扮演的孟少杰是EMC副主任……