父母早亡的简爱(苏珊娜·约克 Susannah York 饰)寄住在舅舅家,舅舅病逝后,她受尽舅妈的歧视和虐待,最终被送进孤儿院。教规严厉的孤儿院让简爱继续受到精神和肉体的摧残,为了离开这里,她登了广告去谋求家庭教师职位。桑菲尔德庄园聘用她作男主人罗切斯特先生(乔治·C·斯科特 George C. Scott 饰)女儿的家庭教师。罗切斯特先生长年在外,空旷的房子阴森悚然。当脾气怪异的罗切斯特先生回来后,他对待简爱的态度时好时坏,但很显然他被清新独特的简爱所吸引,简爱也在与他的多次接触中渐渐爱上了他。在一次盛大家庭宴会中,罗切斯特向她求婚,简爱答应了他。正在婚礼举行时,有人指出罗切斯特早已结婚,古堡顶楼小屋里的疯女人正是他的妻子。伤心失望的简爱离开了庄园,历尽磨难寻找新出路,最终在牧师约翰的帮助下找到了一个乡村教师的职业。当牧师约翰向简爱求婚时,她依然...
This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops.
At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it.
One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.