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漫长的告别1971
It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)
激情年代1996
故事发生在1692年的马萨诸塞州,在一个地处偏远的小镇之中,生活着一群虔诚又愚昧的人们。女孩阿比盖尔(薇诺娜·瑞德 Winona Ryder 饰)是牧师的侄女,因此在镇上享有很高的声誉,凡是她说的话人们都信,凡是她做的事人们都赞成。凭借着自己的“特权”,阿比盖尔将数十名她看不惯的女子以“女巫”之名送上了绞刑架,这其中就有约翰(丹尼尔·戴-刘易斯 Daniel Day Lewis 饰)的妻子伊莉莎贝斯(琼·艾伦 Joan Allen 饰)。  约翰一直都将阿比盖尔的狼子野心看在眼里,但由于两人之间的情人关系,他只得保持缄默,直到阿比盖尔将魔爪伸向了伊莉莎贝斯,约翰才明白事态的严重性。约翰向法官告发了阿比盖尔的罪行,然而,却没有人相信他的“胡言乱语”。
火烧圆明园(1983)
咸丰二年(1852年),颇有姿色的叶赫那拉氏玉兰(刘晓庆)被选进宫册封为贵人,由于历史上叶赫那拉与爱新觉罗两家族有宿仇,玉兰起初不得咸丰(梁家辉)的宠幸,但善于心计的她终以一曲哀怨缠绵小调和倾城美貌将咸丰紧紧捆绑,被册封为懿嫔,又因生下儿子载淳,被进封为懿贵妃,地位一时除皇后(陈烨)外,无人可及。  清宫各嫔妃争宠、咸丰耽于享乐之时,觊觎大清财富良久的英法等帝国对中国屡次发兵侵犯,胆小怕事的咸丰在肃清等八位大臣的规劝下,丢下举世闻名的有“万园之园”之称的圆明园,以“秋猎”之名携带众嫔妃逃到了热河行宫,继续“两耳不闻窗外事,一心只行及时乐”的奢淫生活。
灵与肉1925
A minister is malevolent and sinister behind his righteous facade. He consorts with, and later extorts from, the owner of a gambling house, and betrays an honest girl, eventually driving them both to rui
焦裕禄1990
1962年冬,焦裕禄(李雪健)被派往灾荒严重的河南省兰考县任县委第二书记,眼见街上成群结队的乞丐、纷纷逃亡外地的饥民,他心情十分沉重,下决心根治长期困苦兰考百姓的风沙、水涝和盐碱“三害”,不久,他在多次深入基层做调查研究的基础上,制定出治理“三害”的方案。但他深入群众的工作方式招致县长、县委副书记吴荣先(李仁堂)的不满。  升为县委书记后,焦裕禄不顾肝脏经常胀痛,几乎每日都坚持去治理“三害”第一线工作,很得人民爱戴,吴荣光指使人就某件事借题发挥想将焦裕禄整垮,结果全县群众聚在一起为他鸣冤。其后兰考遭遇特大水灾,焦裕禄的肝病虽然已到晚期,仍坚持去抗灾第一线。
熊的故事1988
宁静的原始森林,熊妈妈正带着自己的孩子约克寻找蜂蜜。正当母子享受这顿美餐时,灾难不期而至。熊妈妈被一块巨石砸死,约克伤心备至,不得已踏上了独自生存的艰险之路。它路遇被猎人伤害的成年灰熊,灰熊一心报复伤害它的人类,对待约克分外冷淡。但随着一段时间的相处,它和约克慢慢成为了好朋友。它们一路遭到猎人的追踪,也遇到了各种各样的险情,在这个危机重重的原始丛林中寻找属于自己的一片天地……  本片根据1885年发生在美国洛基山脉中人与熊之间的真实故事改编,并荣获1989年法国凯撒奖最佳导演奖、1990年Genesis奖最佳外语片奖、1990年年德国艺术院电影公会公会电影奖银奖最佳外语片、1988年法国电影学院奖。
特工狂花1996
女教师萨曼莎(吉娜·戴维斯 Geena Davis 饰)和8岁的女儿一起在宁静的小镇里过着安逸的生活,一切都令她感到十分满意,除了她曾经失去过部分记忆这一点。在一次车祸中,她失去的记忆开始复苏,而脑中出现的一些零碎片段让她对自己曾经的身份产生了怀疑。  通过私家侦探米奇(塞缪尔·杰克逊 Samuel L. Jackson 饰)的帮助,萨曼莎得知自己竟是一名联邦调查局的特工,而在调查局里,一个无意中得知了老板秘密的特工是不受欢迎的。萨曼莎仍然健在的消息不胫而走,她能够感觉到,一些非常残暴的恐怖分子正在渐渐接近她和她的女儿,他们的目的只有一个,那就是将她除之而后快。
狂热2019
影片改编自他多年前经历的真实事件。特拉沃尔塔在片中饰演一名狂热粉丝,他对偶像(戴文·萨瓦饰)的迷恋几乎摧毁了对方的生活。
狼2019
根据诗人卧夫自杀的真实事件改编,讲述了诗人狼在春暖花开之时选择在远离城市的山中死亡的故事,首次探讨中国当代诗人的困惑、堪称文艺片佳作。
猫王1979
Description Biographical movie about the King
王老虎抢亲1960
周文宾不仅仪表堂堂而且满腹诗书,是江湖上有名的才子。元宵灯会当晚,周文宾一时兴起男扮女装去灯会闲逛,他的扮相实在是太过于天衣无缝了,就连他最好的朋友都没能识破他的男儿身。王天豹仗着家里有钱有势四处为非作歹,竟然想要在灯会上抢钱民女,周文宾看不过去出手相救,却被王天豹误认为是女子抢回了家中打算娶她做老婆。  当天夜里,王天豹将周文宾安置在妹妹的房间之中,一夜过去,这两人之间竟然碰撞出了爱情的火花。天亮之后,王天豹震惊的发现自己劫来的女子竟然变为了男儿身,不仅如此,自己的妹妹还发誓非他不嫁。无奈之下,王天豹只得在误打误撞之中成为了大舅哥。
玩偶1968
The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).  The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.  This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.  Plot  As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
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